{"version":"1.0","provider_name":"Eye on Palestine","provider_url":"https:\/\/eyeonpalestine.be","author_name":"Jan Hoozee","author_url":"https:\/\/eyeonpalestine.be\/index.php\/author\/jan-hoozee\/","title":"Lezing Mohanad Yaqubi on the politics of archiving + A Fidai Film (Kamal Aljafari, 2024, Palestina 78\u2019) - Eye on Palestine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oA37k7HBWW\"><a href=\"https:\/\/eyeonpalestine.be\/index.php\/event\/a-fidai-film\/\">Lezing Mohanad Yaqubi on the politics of archiving + A Fidai Film (Kamal Aljafari, 2024, Palestina 78\u2019)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/eyeonpalestine.be\/index.php\/event\/a-fidai-film\/embed\/#?secret=oA37k7HBWW\" width=\"600\" height=\"338\" title=\"&#8220;Lezing Mohanad Yaqubi on the politics of archiving + A Fidai Film (Kamal Aljafari, 2024, Palestina 78\u2019)&#8221; &#8212; Eye on Palestine\" data-secret=\"oA37k7HBWW\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/eyeonpalestine.be\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/eyeonpalestine.be\/wp-content\/uploads\/2024\/10\/A-Fidai-Film-2.jpeg","thumbnail_width":1280,"thumbnail_height":720,"description":"In de zomer van 1982 viel het Isra\u00eblische leger Zuid-Libanon binnen en bereikte West-Beiroet, waar het Palestijns Research Centrum sinds 1965 een omvangrijk archief van foto\u2019s, films en documenten had opgebouwd. Dit archief werd als oorlogsbuit meegenomen. Met deze gebeurtenis als uitgangspunt construeert Kamal Aljafari een alternatief Palestijns visueel geheugen, dat hij \u201cde camera van"}